Browse Works by Catalogue Number
- BTC1000 OCCASIONAL OVERTURE
For orchestra (1946)
- BTC1001 PRELUDE AND FUGUE ON A THEME OF VITTORIA
For organ (1946)
- BTC1002 PURCELL: LET SULLEN DISCORD SMILE, Z 321/6 [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/1]
For high voice and orchestra (1946)
- BTC1003 PURCELL: WHY SHOULD MEN QUARREL? Z 630/4D [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/2]
For high voice and orchestra (1946)
- BTC1004 PURCELL: SO WHEN THE GLITTERING QUEEN OF NIGHT, Z 333/11 [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/3]
For high voice and orchestra (1946)
- BTC1005 PURCELL: THOU TUN'ST THIS WORLD, Z 382/6 [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/4]
For high voice and orchestra (1946)
- BTC1006 PURCELL: 'TIS HOLIDAY [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/5A]
For high voice and orchestra (1946)
- BTC1007 PURCELL: SOUND FAME THY BRAZEN TRUMPET, Z 327/22 [SUITE OF SONGS FROM ORPHEUS BRITANNICUS/5B]
For high voice and orchestra (1946)
- BTC1008 PURCELL: A MORNING HYMN, Z 198 [TWO DIVINE HYMNS AND ALLELUIA/1]
For high voice and piano (1946)
- BTC1009 FSA: O WALY WALY (FROM SOMERSET) [3/6, BRITISH ISLES]
For high or medium voice and piano (1946)
- BTC1009.1 O WALY WALY [ORCHESTRAL VERSION]
For high voice and orchestra (1950)
- BTC1010 ARR: THE STREAM IN THE VALLEY (DA UNTEN IM TALE)
For voice, cello and piano (1946)
- BTC1011 ALBERT HERRING
A comic opera in three acts (1947)
- BTC1012 PURCELL: I ATTEMPT FROM LOVE'S SICKNESS TO FLY, Z 630/17H [FIVE SONGS/1]
For high voice and piano (1947)
- BTC1013 CANTICLE I 'MY BELOVED IS MINE'
For high voice and piano (1947)
- BTC1014 PURCELL: WHEN MYRA SINGS, Z521 [MISSING]
For two high voices and piano (1947)
- BTC1015 A CHARM OF LULLABIES
For mezzo-soprano and piano (1947)
- BTC1016 MEN OF GOODWILL
Variations on a Christmas Carol ('God rest ye merry, gentlemen') (1947)
- BTC1017 PURCELL: CHACONY IN G MINOR, Z 730
For string quartet or string orchestra (1948)
- BTC1018 LAWES: SHE WEEPETH SORE IN THE NIGHT
Arranged for harpsichord (1948)
- BTC1019 PURCELL: JOB'S CURSE, Z 191
For high voice and piano (1948)
- BTC1020 THE BEGGAR'S OPERA
A ballad-opera by John Gay (1728) realized from the original airs by Benjamin Britten (1948)
- BTC1021 SAINT NICOLAS
Cantata for tenor solo, chorus (SATB), semi-chorus (SA), four boy singers and string orchestra, piano duet, percussion and organ (1948)
- BTC1022 CADENZA TO HANDEL'S ORGAN CONCERTO IN D MINOR, OP. 7 NO 4
For organ (1948)
- BTC1023 HOLST (GUSTAV): THE WANDERING SCHOLAR, OP. 50
A chamber opera in one act (1948)
- BTC1024 PURCELL: YOU TWICE TEN-HUNDRED DEITIES, Z 630/13A
For baritone, violin, cello and piano (1948)
- BTC1025 MONTEVERDI: ERI GIA TUTTO MIA
Realized for voice and piano (1949)
- BTC1026 THE LITTLE SWEEP
The opera from ''Let's make an opera'', an entertainment for young people (1949)
- BTC1027 SPRING SYMPHONY
For soprano, contralto and tenor solos, chorus, boys' choir and orchestra (1949)
- BTC1028 A WEDDING ANTHEM (AMO ERGO SUM)
For soprano and tenor solos, choir (SATB) and organ (1949)
- BTC1029 STRATTON [MISSING]
Theatre score (1949)
- BTC1030 ARR: THE DEAF WOMAN'S COURTSHIP
For two voices and piano (1950)
- BTC1031 FIVE FLOWER SONGS
For chorus (SATB) unaccompanied (1950)
- BTC1032 LACHRYMAE
Reflections on a song of John Dowland, for viola and piano (1950)
- BTC1032.1 LACHRYMAE [ARRANGED FOR SOLO VIOLA AND SMALL STRING ORCHESTRA]
Reflections on a song of John Dowland (1976)
- BTC1033 PURCELL: DIALOGUE OF CORYDON AND MOPSA, Z 629/22
For two voices and piano (1950)
- BTC1034 PURCELL: DIDO AND AENEAS, Z 626
Opera in three acts, realized and edited by Benjamin Britten and Imogen Holst (1951)
- BTC1035 FSA: CA' THE YOWES [5/5, BRITISH ISLES]
(1951)
- BTC1036 PURCELL: I TAKE NO PLEASURE, Z 388 [FIVE SONGS/2]
For high voice and piano (1951)
- BTC1037 SIX METAMORPHOSES AFTER OVID
For oboe solo (1951)
- BTC1038 CADENZAS TO MOZART'S ADAGIO FOR VIOLIN AND ORCHESTRA IN E, K261
For violin (1951)
- BTC1039 CADENZA TO MOZART'S RONDO FOR VIOLIN AND ORCHESTRA, K 373
For violin (1951)
- BTC1040 BILLY BUDD
An opera in four acts (1951)
- BTC1040.1 BILLY BUDD
An opera in two acts (1960)
- BTC1041 CANTICLE II 'ABRAHAM AND ISAAC'
For alto and tenor voices and piano (1952)
- BTC1042 HANDEL: AH! CHE PUR TROPPO E VERO, HWV 77
For voice and piano (1952)
- BTC1043 VARIATION ON AN ELIZABETHAN THEME
For string orchestra (1953)
- BTC1044 GLORIANA
Opera in three acts (1953)
- BTC1044.1 SYMPHONIC SUITE 'GLORIANA'
For orchestra and tenor solo (''ad lib.'') (1953)
- BTC1044.2 CHORAL DANCES FROM GLORIANA
For tenor solo, harp and chorus (1967)
- BTC1044.3 FANFARE FROM GLORIANA
For trumpets (1967)
- BTC1045 WINTER WORDS
Lyrics and ballads of Thomas Hardy, for high voice and piano (1953)
- BTC1046 BLOW: TO FLAVIA, GROWN OLD
For voice and piano (1954)
- BTC1047 ARR: THE BRISK YOUNG WIDOW
For high voice and piano (1954)
- BTC1048 AM STRAM GRAM
Theatre score (1954)
- BTC1049 THE TURN OF THE SCREW
Opera in a prologue and two acts (1954)
- BTC1050 SCHERZO
For recorder quartet: descant, treble, tenor, bass (or 2nd tenor) (1954)
- BTC1051 CANTICLE III 'STILL FALLS THE RAIN - THE RAIDS, 1940, NIGHT AND DAWN'
For tenor voice, horn and piano (1954)
- BTC1052 THE PUNCH REVUE
Theatre music (1955)
- BTC1053 ALPINE SUITE
For recorder trio (1955)
- BTC1054 FARFIELD 1928-30
For voice and piano (1955)
- BTC1055 PURCELL: O SOLITUDE, Z 406
For high or medium voice and piano (1955)
- BTC1056 HYMN TO ST PETER
For choir (SATB) with treble solo (or semi-chorus) and organ (1955)
- BTC1057 TIMPANI PIECE FOR JIMMY
For timpani and piano (1955)
- BTC1058 ARR: THE SHOOTING OF HIS DEAR
For high voice and guitar (1956)
- BTC1059 ANTIPHON
For choir (SATB with optional solos) and organ (1956)
- BTC1060 THREE SONGS FROM 'THE HEART OF THE MATTER'
For tenor, horn and piano (1956)
- BTC1060.1 WE ARE THE DARKNESS IN THE HEAT OF THE DAY
Song for five-part mixed choir (SMezATB) unaccompanied (1956)
- BTC1061 ARR: I WILL GIVE MY LOVE AN APPLE
For high voice and guitar (1956)
- BTC1062 FSA: THE SOLDIER AND THE SAILOR [6/4, ENGLAND]
For high voice and guitar (1956)
- BTC1063 HANDEL: SAMSON
Editorial alterations (1956)
- BTC1064 THE PRINCE OF THE PAGODAS
A ballet in three acts (1956)
- BTC1065 FSA: AVENGING AND BRIGHT (CROOGHAN A VENEE) [4/1, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1066 FSA: SAIL ON, SAIL ON (THE HUMMING OF THE BAN) [4/2, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1067 FSA: HOW SWEET THE ANSWER (THE WREN) [4/3, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1068 FSA: THE MINSTREL BOY (THE MOREEN) [4/4, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1069 FSA: AT THE MID HOUR OF NIGHT (MOLLY, MY DEAR) [4/5, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1070 FSA: RICH AND RARE (SUMMER IS COMING) [4/6, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1071 FSA: DEAR HARP OF MY COUNTRY! (KATE TYRREL) [4/7, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1072 FSA: OFT IN THE STILLY NIGHT [4/8, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1073 FSA: THE LAST ROSE OF SUMMER (GROVES OF BLARNEY) [4/9, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1074 FSA: O THE SIGHT ENTRANCING (PLANXTY SUDLEY) [4/10, MOORE'S IRISH MELODIES]
For high voice and piano (1957)
- BTC1075 FSA: EARLY ONE MORNING [5/4, BRITISH ISLES]
For high voice and piano (1957)
- BTC1076 ARR: THE HOLLY AND THE IVY
For chorus (SATB) unaccompanied (1957)
- BTC1077 MALAYSIAN NATIONAL ANTHEM
For military band (1957)
- BTC1078 SONGS FROM THE CHINESE
For high voice and guitar (1957)
- BTC1079 UNTITLED PIECE (unfinished)
For four horns, percussion and strings (1958)
- BTC1080 PURCELL: HOW BLEST ARE SHEPHERDS, Z 628/15B [FIVE SONGS/5]
For high voice and piano (1958)
- BTC1081 ARR: SOLDIER, WON'T YOU MARRY ME?
For two voices and piano (1958)
- BTC1082 NOYE'S FLUDDE
The Chester miracle play, set for adults' and children's voices, children's chorus, chamber ensemble and children's orchestra (1958)
- BTC1083 SECHS HÃLDERLIN-FRAGMENTE
For voice and piano (1958)
- BTC1084 FSA: MASTER KILBY [6/3, ENGLAND]
For high voice and guitar (1958)
- BTC1085 FSA: SAILOR-BOY [6/2, ENGLAND]
For high voice and guitar (1958)
- BTC1086 SCHUMANN: ELEGY FOR ORCHESTRA (FROM THE VIOLIN CONCERTO IN D MINOR)
For violin and string orchestra (1958)
- BTC1087 TELEMANN: CONCERTO IN A FOR SOLO FLUTE, SOLO VIOLIN, STRINGS AND HARPSICHORD
Reealized from the original score (1958)
- BTC1088 THE GOLD-ARMOURED GHOST FROM THE ROMAN ROAD (unfinished)
For voice and piano (1958)
- BTC1089 EINLADUNG ZUR MARTINSGANS
For voices (in canon) and piano ad libitum (1958)
- BTC1090 NOCTURNE
For tenor voice, seven obligato instruments and string orchestra (1958)
- BTC1091 FSA: BONNY AT MORN [6/5 ENGLAND]
For high voice and guitar (1958)
- BTC1092 FANFARE FOR ST EDMUNDSBURY
For three trumpets (in C) (1959)
- BTC1093 MISSA BREVIS IN D
for boys' voices and organ (1959)
- BTC1094 DIBDIN: TOM BOWLING
Arranged for high voice and piano (1959)
- BTC1095 FSA: THE LINCOLNSHIRE POACHER [5/3, BRITISH ISLES]
For high voice and piano (1959)
- BTC1096 FSA: SALLY IN OUR ALLEY [5/2, BRITISH ISLES]
For high voice and piano (1959)
- BTC1097 CANTATA ACADEMICA, CARMEN BASILIENSE
For soprano, contralto, tenor and bass solos, chorus and orchestra (1959)
- BTC1098 A MIDSUMMER NIGHT'S DREAM
Opera in three acts (1960)
- BTC1099 FANFARE FOR ORIANA
For trumpets and cornets (1960)
